Family Portraits - the gift that keeps on giving...

I think everyone would agree that as Christmas looms the pressure is on to find the most special gift and something that is of great value without costing too much....that is why its a great time to have a family portrait done and cover all your pressies in one go.  

Not only do you give your family something that really captures the Xmas spirit but in this day and age with families getting precious little time to spend together....it reinforces the connections that bind you together.  

It makes no difference if you are newlyweds with 'cat and dog' kids or Grandparents with a huge extended family....a beautiful portrait is the gift that will keep on giving, doesn't take up much space, and will remind the person who already has everything...just what that everything is.  

Bookings are now open for Oct and Nov and you are looking at a two to three week turnaround so Book Now to avoid disappointment. 

Here are a couple of the beautiful families I have captured in the last few weeks x L

storyboard079.jpg
storyboard078.jpg
storyboard077.jpg
storyboard075.jpg
storyboard074.jpg
storyboard076.jpg

Online Etiquette in Photography...whats OK and whats not

AS a follow on from my last blog about digital files in Professional Photography I have decided to write a note about whats OK and whats not when sharing work online because a lot of people don't know.  

Firstly you will find a lot of Professional Photographers linking most of their images from their blogs. This is because facebook and instagram in particular have changed their rules so that they have the rights to use anything put up on their sites. The only way that photographers can avoid handing over these rights free is to only post their images on their own sites and then post a link...its unlikely that FB is going to use anything but we need to keep control of our images.....no real dramas there. 

When an image is shared on facebook, it is always sized so that it is too small to print for obvious reasons and is watermarked so that the public knows it is copyrighted to the photographer. Regardless of whether an image has been sold or licensed it is still copyrighted to the photographer. If, for some reason an image does not have a watermark on it then it is good manners and expected that the photographer should be credited and probably tagged if possible along with the other people who worked on making the image. 

If its part of an advertisment (licensed) it does not need to have a credit on it. 

If an image is posted on a Photographers Facebook page then they will be only too happy for you to share it from their page....its usually absolutely fine to do that....if you are not sure then ask , but in general... share from their page (the source). 

If you have been given your own set then tag the photographer when you upload them. 

Never ever...download the image and re-upload it onto your own page (this is stealing)

If you know someone has done this.....eg there are sites you regularly repost popular content instead of sharing from the source, then don't reshare it. 

Never download an image from someones website (stealing and illegal) 

Never download someones image from google and republish it on your own blog or site (only schools and educational institutions are allowed to do this) . You can share the link from the source so that the author is easily accessable.

Never ever crop out someones watermark. 

Never steal or copy someones content.

If you are NOT an professional photographer and you want to protect the ownershop of your images....watermark the image with...copyright Joe Blogs.......because if you put 'Joe Blogs Photography' it looks like you are running a professional business and will confuse the public and annoy the pros. 

and for the latest generation of photographers.....it is not your given right to put content online without checking first if your customer is happy about it. There are many reasons why some people don't want to be splashed all over the web or want their families in the public arena and never assume that it is your right to do it . This comes up a lot in wedding forums where the photographer thinks that their advertising is more important than the rights of the couple. Its common courtesy to respect the clients wishes first and we are after all in a service industry.

For other sites such as Pinterest....the source is nearly always attached. 

Needless to say if you have prints (bought from a professional photographer) and you scan them and enlarge them and put them on your wall you could be prosecuted. This is illegal. Going back to the photographer to get an enlargement is going to be marginally more expensive and its going to look 100% better.

If you have been given a file from anyone make sure you check what you can do with it. If you have been told its for personal use...then that will need clarifying but it does not allow for using it commercially in any way. If you want to use it on your website then contact the photographer and for a small fee he/she will probably license it for use and send you a resized sharpened web file.

If its a commercial file you can only use it for its original specific purpose. You can not use a commercial file and print a wall in your home with it or copy it off and send out prints as Xmas presents. In addition please don't print up your Xmas cards with a scanned image or file then send one to the photographer! Go back to the photographer and get them to do that....thats our job and it how we generate income.

Lastly.....regardless of what you've bought or how much you've paid for your prints, the photographer always retains copyright of their images. Its similar to the music world so although you can listen and have a copy of the music, you can't reproduce it and sell it as your own. Simiiarly, It is illegal to reproduce and sell prints of the image. Some photographers will sell the copyright but its very expensive because it equates to lost earnings on that image. For most portrait photography businesses the files are of huge value to us....they are the only tangeable thing that can can be sold as part of a business, or if the business is closing down then they are a saleable item to help fund retirement.

In short....our only source of income is from creating and selling images. Each individual print equates to hours of creation and work....please don't ask us to give them away for nothing....its kind of insulting!  

My rule is that if I ask someone to do some work for me (eg model or makeup artist) then I pay them, either with cash or with a prints from the session to the same value........if someone asks me to do something then they pay me.  

Hope this clears up a few misconceptions. Part of running a business is having a recognisable brand and what happens online and offline plays a big part in this. Its an area that a lot of time and money is invested in and its important that we are in control of this. 


Its remarkably easy to find out if images have been downloaded from google....you just hit the camera on the google tab...upload one of your images....and google will find any image that resembles your uploaded one.

Happy surfing :) 

PS There is one exception to all the rules...If it is a picture of a cat you can do anything you like with it....:) 

 

But can we just have the CD? The reality of a career in Portrait Photography in 2013!

How often does this question come up in photographic forums? To many professional portrait photographers you would be better off waving a red rag in front of a bull but in reality, the general public think that this is normal practice and I thought I'd write a blogpost on why it is not. I'm referring to a printable high res CD here....its normal practise to give out watermarked web files and I'm not referring to them.

Last week I shot in NZ and for the first time I considered that maybe its time to set up a shoot and burn package....mainly for convenience.... but I soon realised that I'd rather pull out my own teeth than offer something I have always strongly disagreed with....this is a long overdue blogpost that will hopefully go someway to explaining why that is. It is possible that I'm just becoming an old fogey photographer because if my kids had been brought up by someone else they would probably ask the same question.

In the commercial world photographers get paid for their time and then licence their images for a certain timeframe and get paid for that....the file gets basically edited (usually a specifically small number) and off it goes. Its going to be relevant for the short time its used (probably get re-edited by a graphic artist) and the payment depends on its usage but usually a lot more than a single print price. It could be out of fashion by the end of the month.

With Portrait photography the structure is completely different. The session fee (mine is $295 with a $150 print credit) is quickly used up during the shoot... an hour to and from a location and an hour or two shooting. If I'm lucky my time is covered but nothing else is taken into consideration such as pre-consult, equipment, or any other cost that is incurred running my business. Editing a large session takes two to three times as long as the session itself and then an ordering session is another couple of hours. At this stage we have done at least a full day of highly skilled work for $150. If we were working for $100 per hour commercially it would have cost $800 by now. If the shoot was for some reason complimentary then we are already $800 down. If for any reason a second viewing is necessary....we may as well be paying the client to let us take photos!

Now we are taking the risk that someone may only want the one print that is included in the sitting fee and they are totally within their rights to do just that, but if we've done our job properly then they should want a fair few of them....these are precious family shots which will be looked at for many years and will become family heirlooms....and keep in mind the shoot already owes us $800 and any orders will incur more time spent on them....so what do we do now? 

Sell them a $500 disk of basically edited images, wipe our hands of it, and let them run around trying to make them look good?... or worse still, get put away in a draw because its all too hard and they are too busy?....I don't think so! 

...then leave the client to print them and tell everyone that we took them and risk our branding being diluted without ever seeing them or having any control over the quality?

er ... no!

The simple fact is.... this is a major disservice to our client who is not going to be able to get their images professionally mounted on the wall as well as we can, or get them finished in some of the beautiful products that only we have access to.

Each and every file of mine that is going on a wall, or in a book, or into a box it is gone over with a fine tooth comb during my second edit. It is correctly resized and up to an hour is spent on each image making sure that it will be flattering to the people in it. Its taken me 10 years of digital education to be able to edit to a standard that I'm happy with and my skills are being updated constantly. This is a hugely important service which should always be offered to a client.

Its worth mentioning that the physical costs of running a studio are around $1000 a week minimum and that for some business models its important that people can find you and have access to you after your session. 

Most of the public are aware of how much the actual camera/studio equipment costs are to set up shop but probably are unaware of the endless monthly/yearly subscriptions we pay for software on an ongoing basis. I think I have around 10 different web services on yearly subscriptions none of which I could do without.

Like lots of other service industries in the last 20 years we now have to do all the work ourselves and usually only one day a week is spent shooting while more than half of the week is spent on marketing, advertising and making sure that the work keeps rolling in...and keeping the business afloat. 

So when I hear photographers say that they've had clients who look at the cost of the $25 paper print and assume that anything more than that is a rip off....it makes my blood boil. I have personally never had a client do that to me but I know plenty of people who have and its because the general public really have no idea how the industry works and how the different genres of working photographers differ. 

I charge $1500 for books, albums and portfolio boxes and they are about to go up. They equate to a weeks work and a $500 product cost  ...(these photography services can only be accessed by prof photographers) which after costs, tax and rent etc I probably receive $400. So although it sounds expensive in reality its not and if the customer did it themselves they'd be looking at triple the time and a higher cost.

Sadly the reason that so many professional photographers are going out of business is the high cost of goods and not charging enough to pay themselves at the end...This has been happening to some of the most skilled artists in the business. One top end Australian photographer in particular has gone back to stacking shelves at the supermarket because she makes more money. Its a sad loss!

So if you are starting out in the business or working the weekends and charging low fees (because the pro's charge so much!) for a bit of pocket money... or ....dare I say it ...shooting and burning for an inadequate price, essentially you are not only paying people to let you take their photos but taking the income away from people who rely on photography as a job to feed their families. We love our industry and really struggle to come to terms with the level of destruction that we see on a daily basis by this. My advice to people who want photography as their career is to join a professional body and learn the craft. Get qualified first and set up your business once you have the skills required....practise on your friends not your clients!

Personally for me the artistic drive to photograph is the thing that has kept me going through many hard times...and a real love for what I do....I feel privileged to be able to meet and be welcomed into peoples homes and personal lives.....I have become good friends with clients who I otherwise wouldn't have known and I have the satisfaction of knowing that the images are a gift that will keep on giving, long before they realise it.....but in reality if I was relying on it to feed my family and pay the morgage I'd probably be doing something else too!

Its up to us to educate our clients in this extremely confusing digital era and its our responsibility that they get the best products they can because that is why they are coming to us in the first place....we need to be proud of our skills and price ourselves responsibly and offer our clients products that they can't buy otherwise....so our profession doesn't just sink to the bottom of the ocean with our beloved film cameras and peoples memories don't die with their iphones and hard drives.

...and the other reason is

it isn't that pretty on the wall! 

storyboard069.jpg

Shooting in NZ...beautiful Brooke

Well NZ was fabulous and I packed a lot into one week...I felt like I was returning to my roots and all I wanted to do was run around on the grass barefoot!...I also wanted to capture the essence of my home town and make some artwork with the things I have long held memories of....it has been 5 or 6 years since my last trip and that is way too long. I'd like to be able to regularly photograph Portraits in NZ so that its not so long until the next time.

On my second day there I stumbled upon Brooke and she was up for the challenge of an all weather shoot and as usual the weather pulled out everything it had. All of my Elements and Rhymes Shoots have been shot in the rain but this one was a howling gale!...Brooke was fantastic, dead keen and put up with the real Elements like a trooper....she also did an amazing job of modelling and has probably been patiently waiting for me to edit some. I've waited until I can give them my full attention at the studio and have spent the last few days at work having a lot of fun....so here are a couple that have been picked out....hope you enjoy the distinct NZ flavour :)

storyboard063.jpg
storyboard065.jpg
storyboard067.jpg
storyboard066.jpg
storyboard064.jpg
storyboard062.jpg

APPA (Australian Professional Photography Awards) 2013

Well what can I say.....what a total blast of a week in Melbourne the APPA's were....expectations are always high and every year they are pretty much met regardless of how well you do in the competition because it is so much more than that. To start with the print judging is a leveller....you can be standing next to Australia's best and they are just as nervous as you!.... Just by entering you have conquered a hurdle and the atmosphere is quicker and less stressfull than the State Awards where you sit in dead silence waiting for the verdict. The prints come and go pretty quickly and you have to make sure you are in a position to move into one of the 3 rooms that they are judging in. Basically the print has to stop them in their tracks to be awarded or one of the judges needs to champion the print and talk it up. Whatever you are communicating in the print has to be immediately recognised or it will be passed over.

This year I entered what I considered were my 4 best prints from this year. I did a bit of umming and ahhing because I had a good set of prints which have been scored differently in different comps and because one had just done monumentally well at WPPI (International Competition where it got second place in Senior Portrait) I put it in and moved another out. I was delighted to get a Silver Dist for Element - Water and a Silver each for 'Oranges and Lemons' and Element - Earth. My 4th print recieved 79 which is a Bronze and gets me half a point toward my Masters.  

However the things that are taken away from APPA aren't about Prints and scores....the comraderie and fun that hanging with your mates and bonding because of a common love of artform that we are all equally driven to do is what its all about. The inspiration gained from seeing the best of the best up close cannot be underestimated...the drive to get better and push the limits of our skills...and the letting of the hair down when you know you have done the best you can with what you've got makes the week magic. It was lovely connecting and getting to know new people and with a big pile of us girls rooming in the same place we had a blast.... I was fortunate to be able to go on to NZ for another extraordinary week but thats another post...so here are the prints that I put in this year and can't wait to get stuck into next years project!...and I forgot to mention the dinner.....a glittering gala ball held in the Plaza theatre...just amazing!

APPA Bronze

APPA Bronze

Element-Earth APPA Silver

Element-Earth APPA Silver

Oranges and Lemons APPA Silver

Oranges and Lemons APPA Silver

Element-Water APPA Silver with Distinction

Element-Water APPA Silver with Distinction

SALA Open Studio - Crackerjack Photographic Studios

Thought I'd do a quick post about Fridays Open Studio day during which I did a live glamour and art shoot from start to finish during the day and people could wander in and watch...I know from past experience myself that you can always pick up something from seeing how other people shoot and its really good if it ends up being something that can save time. One of Yervants editing techniques that he shared has literally saved me hundreds of hours in editing but sometimes its as simple as realising that you are actually doing the same thing in a different way. So I hope it made sense to the people that came along and for me it was quite enjoyable working with a group as we often are working on our own in this industry. Thanks heaps to Helen and Anya who modelled and to Hannah Boettcher for her makeup skills and assistance during a fairly full on day....Also thanks to Kim for doing the running around :) Naturally enough, we ran a bit behind schedule so I am posting some of the finished results (some of which you can also find on our facebook page HERE ...but for those who don't use facebook (and for my journal records) here are a few....PS although the exhibition officially closed on the 15th I will be keeping the prints up for the rest of August  and next week the opening hours will be back to the Wed, Thurs, Friday 10 till 3 as per normal with the rest of the week by appointment...

storyboard049.jpg
storyboard048.jpg
storyboard055.jpg
storyboardcomp007.jpg
storyboard053.jpg
storyboardcomp008.jpg
The final artwork - 'Fragments'

The final artwork - 'Fragments'

The beautiful Adams girls

Congrats to the Adams family who came in for Beauty shoots last week to celebrate two milestones in their lives....Hayley turned 21 and Michelle has her first baby on the way so we had a lovely relaxing time capturing both the girls for their special occasions. First up they paid a visit to Marguerite at Mosaic hair for a colour and cut so both of them looked stunning, and then Marie did their stying and makeup on the day of the shoot...here are some of the beautiful results.... 

storyboardcomp004.jpg
storyboardcomp005.jpg
storyboard044.jpg

AIPP SA Portrait Photographer of the Year 2013

Well what an amazing week I had last week....It would have been amazing had I not won this coveted prize but winning this was the icing on the cake and I'm feeling privileged and lucky. This year I had a very good run overall with individual awards and was awarded my first Gold for Elements - Water in the Contemporary Art Category which was judged before Illustrative category. All the 4 prints that went over were awarded with the others receiving 2 Silv Distinctions and a Silver respectively. I also had 4 prints in the Illustrative category and they scored 2 Silver Distinctions and 2 Silvers and 4 in Portrait which scored a Silver Dist, 2 Silvers and a 78. This shows me that I'm heading in the right direction and gives me a better idea of which 4 I should enter into the National Awards in September. Its always a bit embarressing writing these posts but as I've had to go back and check which prints went in where plenty of times before, its essential for the diary (which this is). However....the week was amazing for other reasons too....and especially Wednesday where people just came out of the woodwork with good wishes and kind gestures.

During what was probably the most adrenilin fuelled week I can ever remember people gave me flowers (thanks Karen and Waz xx), Perfume (Coco Chanel from Jules which is divine x) Food and Wine, Mum fixed my dress with Simones straps, and babysat (thanks to both xx) and Marguerite did my hair at Mosaic with hardly any notice and then wouldn't charge me xx which is truly appreciated. Loads of encouragement from the Supreme Goddesses as always and also from the overall photographic community of whom we all are there for each other during these times and it makes the week very memorable. It was more enjoyable, and almost as sweaty, watching my friends get awarded for their amazing work and talent and also a great learning experience from the fabulous judges.

Huge congratulations to the other Category winners and specially to Hilary Hann who took out 3 categories and the overall prize of SA Photographer of the Year with a portfolio of African animals (most of whom are endangered)...and I look forward to seeing these images used to help animal preservation in the future.

Because a fair chunk of the week was lost as far as work goes I had to hit the ground running with shoots hence its taken a week to get to write up the blogpost...and there a lots of images to include in it which it is nice to be able to share at last... 

Winning Portrait Category Entry...on exibition at the Wine Centre until the end of the month

Winning Portrait Category Entry...on exibition at the Wine Centre until the end of the month

Finalist in the Contemporary Photographic Art Category on exhibition during August at the Light Gallery

Finalist in the Contemporary Photographic Art Category on exhibition during August at the Light Gallery

My Illustrative Entries which scored 2 Siv Dist and 2 Silvers

My Illustrative Entries which scored 2 Siv Dist and 2 Silvers

The Result of a lot of hard work...couldn't be happier!

The Result of a lot of hard work...couldn't be happier!

and the Winner is.......

.....da dah.....Monica....who was the lucky recipient of a 'She' Beauty shoot when we hit our 600th liker on our facebook page. Keep on liking because we will have a giveaway every time another 100 people like the page and we are well on the way to the next one. But back to Monica....who was a heap of fun to work with and we got some fabulous images (sneak peak to follow). Moko (Monique) did a gorgeous job of Monica's makeup and with a really cool shaved pattern on one side we managed to get totally different looks from the same hair and makeup just by shooting from different sides. Really looking forward to catching up to show her the rest of the images and thanks for being a active fan on the Crackerjack page :)

storyboardcomp002.jpg